PAROLE RUBATE – FASCICOLO N. 16

PURLOINED LETTERS – ISSUE N. 16

Speciale Jane Austen

Austen Re-making and Re-made. Quotation, Intertextuality and Rewriting

Editors Eleonora Capra and Diego Saglia (Università di Parma)

Austen in the Second Degree: Questions and Challenges – Diego Saglia (Università di Parma)

The Anonymous Jane Austen: Duelling Canons – Edward Copeland (Pomona College – Claremont)

“Comedy in its Worst Form”? Seduced and Seductive Heroines in “A Simple Story”, “Lover’s Vows”, and “Mansfield Park” – Carlotta Farese (Università di Bologna)

Bits of Ivory on the Silver Screen: Austen in Multimodal Quotation and Translation – Massimiliano Morini (Università di Urbino Carlo Bo)

Remediating Jane Austen through the Gothic: “Pride and Prejudice and Zombies” – Serena Baiesi (Università di Bologna)

Revisiting “Pride and Prejudice”: P. D. James’s “Death Comes to Pemberley” – Paola Partenza (Università “G. d’Annunzio” Chieti – Pescara)

P. R. Moore-Dewey’s “Pregiudizio e Orgoglio”: An Italian Remake of Jane Austen’s “Pride and Prejudice” – Eleonora Capra (Università di Parma)

Recreating Jane: “Austenland” and the Regency Theme Park – Maddalena Pennacchia (Università di Roma Tre)

Writing in the Shadow of “Pride and Prejudice”: Jo Baker’s “Longbourn” – Olivia Murphy (Murdoch University – Perth)

Reading the Austen Project – Penny Gay (University of Sydney)

James Frazer, il cinema e “The Most Dangerous Game” – Domitilla Campanile (Università di Pisa)

Jeux et enjeux intertextuels dans “Le Soleil ni la mort ne peuvent se regarder en face” de Wajdi Mouawad – Simonetta Valenti (Università di Parma)

Re-membering the Bard : David Greig's and Liz Lochhead's Re-visionary Reminiscences of "The Tempest" – Maria Elena Capitani (Università di Parma)

Libri di libri / Books of books