The intertextual relationship between Mansfield Park and Das Kind der Liebe by August von Kotzebue (1790), adapted by Elizabeth Inchbald into Lovers’ Vows (1798) has been the object of intense critical scrutiny. The role of the theatricals within the novel, the correspondence between themes and characters of the two texts, Austen’s attitude towards the theatre in general and this famously controversial play in particular have been discussed at length in a series of scholarly contributions. However, these issues have only occasionally been examined in the context of a possible more general relationship to the work of the author who translated and adapted Kotzebue’s play for the English stage: Elizabeth Inchbald. This paper will take precisely this approach focusing in particular on the links connecting Inchbald’s first novel (A Simple Story), Lover’s Vows and Mansfield Park. It will argue that many aspects of Austen’s novel recall A Simple Story, and it will show how bringing this novel into the picture would enhance our understanding of Austen’s intertextual practices and shed new light on the subtle dialectics she establishes with her sources by questioning and revising the thematic, ideological, and formal features of different genres.

 

 

Le connessioni intertestuali fra Mansfield Park e il controverso dramma di August von Kotzebue Das Kind der Liebe (1790), adattato da Elizabeth Inchbald per le scene inglesi con il suo Lovers’ Vows (1798), è stato ampiamente studiato, in particolare la corrispondenza fra i temi e i caratteri nei due testi, l’atteggiamento della Austen nei confronti del teatro e il suo ruolo nel romanzo. Questo saggio esamina più da vicino il rapporto fra Mansfield Park e l’opera della Inchbald, sia Lover’s Vows che il suo primo romanzo A Simple Story. Anche quest’ultimo è presente per molti aspetti nelle pagine della Austen: studiare questa presenza ci permette di capire meglio la dialettica che la scrittrice stabilisce con le sue fonti, interrogando e rivisitando i tratti formali, tematici e ideologici di generi differenti.

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